Tag: agenting

What to Ask After An Offer of Representation (by an Agent)

Here’s a great problem to have! You’ve poured your soul into your manuscript and you’ve stayed up nights working on the perfect query package. Now, an agent has bit and offers you representation. What do you do now? Here’s some of the industry-standard advice you MUST consider.

Glorious Heaven, light is shining around you and music is playing in the air and angels are dancing and it’s the most beautiful moment because AN AGENT WANTS YOU.

But now what? Do you just say yes and hope they’re the best fit for you? Maybe you better ask them some questions first. While I’m sure you’ve done your homework about agents and submitted to ones you already would feel relatively comfortable with, there’s only so much research you can do without actually talking to the agent him/herself. It’s also good to know if you two will be a good fit for each other.

All right. You’ve got them on the phone, they’re interested, so what do you ask?

Here are suggestions: (Pro tip: Don’t ask all of these. Find the ones you like or the ones you need and ask those. You don’t want to overwhelm them or yourself.)

About your project

  1. What does the agent like best about your project?
  2. Does the agent feel that the project is ready for submission to publishers, or will she require revisions before submission? Are they small tweaks, or does she want a major plot or character development change?
  3. Which publishing houses does the agent believe would be a good fit for your book?
  4. How many editors does she plan to pitch in the first round of submissions?
  5. Will the agent consult with you on all offers from publishers? Does the agent make any decisions on your behalf?
  6. Does the agent forward rejection letters to you?

Read the rest (there’s a lot more)…

Nicole Wilson spends her days planning for disasters and her nights writing about them. She lives in a small apartment with her husband and two cats, all who contribute to her writing endeavors. Nicole has written many books and short stories and is at work on more. Three of the short stories have been published online, which you can find on her website at www.nicolewilsonauthor.com.

Query Letter Tips

I have been sending out query letters like a crazy person lately. Let me tell you, writing a novel is hard, but nothing compared to cramming a year of your life into a four-paragraph sales pitch. Nicole Wilson was a lifeline for me. She reviews the most important query letter tips.

In the process of getting Deception ready for agents, I’ve done quite a bit of research on query letters. As there’s no sense in keeping all this information floating around my head to myself, here are some tips I’ve learned along the way. (I’m leaving out some of the standard ones like include word count and genre because I’ve mentioned them in my annotated query example below):

  • DO customize your query for each agent. Put their name at the top (make sure it’s spelled correctly), and always include something that indicates you at least read their website (maybe a recent book they’ve represented, another author, etc.).
  • DO read their website for submission guidelines. Every agent has different guidelines. While this may seem like a hassle, they’re looking to see who is professional enough to research. They’re looking for business partners (as writing is a business). And they get an average of 100 query letters A DAY, so they need something to thin the pile.
  • DON’T expect feedback from them. Their job is not to provide you feedback. It’s to tell you if they are able to sell the book or not.
  • (This is my own personal advice) DON’T include words like “and then this happens” or “and another character enters” while telling your story. You want to engross your agent in your query letter. Make them feel like they’re reading a book and want to read more after they’ve finished your letter. Don’t remind them they’re at work, sifting through email. We all know how lame that feeling can be. :)
  • DON’T use a query blaster or CC/BCC a bunch of agents on the same email. This tacks onto my first “do.” You must customize for each agent. Also, several of them have said that nothing gets a query deleted unread faster than that (because they can tell).
  • DON’T try to be fancy or gimmicky. Like I said before, they’re looking for professionals, and your query letter is a business letter. This is not the time for pink or scented paper or gifts that represent the book. Send them what they want and nothing more.

Read the rest (there’s a lot more)…


Nicole Wilson spends her days planning for disasters and her nights writing about them. She lives in a small apartment with her husband and two cats, all who contribute to her writing endeavors. Nicole has written many books and short stories and is at work on more. Three of the short stories have been published online, which you can find on her website at www.nicolewilsonauthor.com.


Query Shark

Another amazing tool for writing query letters. This site is a cornerstone for authors everywhere. The query shark is an actual agent who spends her free time critiquing query letters. There are hundreds of queries from all genres, each with commentary.


(Five) Elements of a Good Title

Let’s be honest, when you pick up a book the first or second thing you experience is the title, and nine times out of ten, that is as far as you get. Along with the cover art, a title really is the most important aspect of a book-to-be-sold. This applies to authors in traditional publishing, indie publishing, or any form of hybrid. Even if you are a superstar at Random House, you will have to compete with every other book and do an insane amount of promotion if you want your story to get the limelight it deserves.

So, why do we think so little about the title? We should be intentional, right?

Well, I have done a little research, talked to some authors, and dissected a number of titles to see if I could find some common keys to successful title for novels. Here are my (very unscientific) findings.

1. Keep It Short

Shorter titles are easier to remember. Unless the book is a marketed in a very specific way to reflect classic titles (like those with multiple subtitles), keep it to a few words at most. People have a lot to remember and they are bombarded with media. The only way they will remember is if the title is memorable.

2. Rhythm Matters

Think of a title as a short song or micro-poem. These are things that stick with us, that line of a song that we can’t get out of our head. Why? Alliteration. Rhythm. Soft and hard sounds working in concert. When the Crickets Cry mixes soft “w” sounds with the double “c” sounds. When a title is lyrical, it will stick with us.

3. Juxtaposition

Think of a title as an opening line when asking someone out. You have exactly one chance to convince them to keep talking to you. People love intrigue. People want puzzles to figure out. If a title creates a question in their mind, they are likely to (at least) read the cover to see what the question even is. Use juxtaposition for this, setting two thing against each other that don’t normally seem connected. Also, consider words that evoke images. I love Daughter of Smoke and Bone as a title. How can you not see an image with those words and wonder, “what’s that all about?”

4. Must be Relevant to the Book

Moving into more “business” concerns, the title must represent the book. People know what they like and are always on the lookout for something that piques their interest. So, if you book is a murder mystery, the title should represent that to attract those readers. A title “Summertime With Daises” doesn’t conjure images of back-alley investigations, does it. The title is the very first contract with your reader. They want to know what the story is, and that you can deliver on your promises.

Also, consider your brand. You may not write hundreds of books, but even one book constitutes a brand. How does the title represent your future works? Can you create a hook that ties them together?

5. Think of Promotion and Search Engines

I wish this wasn’t the case, but its important. You will have to compete for a spot in the myriad of noise bombarding us every day. Think of your novel as a search term. I even go as far as to look up Google Adwords Search Terms to see which terms are most searched for. If you can piggy-back on some of these coveted terms the better. Do a quick search for SEO (Search Engine Optimization) tips. You’d be amazed how many apply to novel titles, as well.

And that’s all I have for now. As I come across more, I will share the love 🙂

Be sure to comment below.

Successful Queries

As Reema and I near the end of process for Allyson Darke, we are looking forward to the next step: sending it out to agents.

The publishing world has changed in the last ten years, allowing authors a wide array of publishing options. We have decided that we want to fight the uphill struggle and take Allyson through traditional publishing channels. That carries with it a lot of doubt and hard work. We have to find an agent, sell to editors, rewrite a thousand times, and render all these beautiful images. But we are excited about it.

The first step on that path is agenting and that requires the worlds best query letter. As we work on our query package, I will bring you lessons, tips, and resources.

The first resource is a link to the absolute best query letter guide I have found. Sure, there are a lot of “do” and “don’t” books out there, and you should read them all. But, this is a list of actual query letters from authors with comments from the agents about what caught there attention.

Seriously. Read this.


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