Stories.

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Chris Michaels grew up in a sleepy house just like yours (partially poisonous ogres and magically mundane fungi included). He is an adventurer who was once struck by lightning and falsely arrested by the S.W.A.T. team. He has walked across the Mississippi River and wants to find the land where all the socks and spare change go so he can set up a Modest Trading Co. for them.

Now, he writes fantasy novels, drama sketches, and mixed-media, interactive stories. Also be sure to explore articles, guides, and reviews about writing, story building, and the mmi revolution.

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What to Ask After An Offer of Representation (by an Agent)

Here’s a great problem to have! You’ve poured your soul into your manuscript and you’ve stayed up nights working on the perfect query package. Now, an agent has bit and offers you representation. What do you do now? Here’s some of the industry-standard advice you MUST consider.


Glorious Heaven, light is shining around you and music is playing in the air and angels are dancing and it’s the most beautiful moment because AN AGENT WANTS YOU.

But now what? Do you just say yes and hope they’re the best fit for you? Maybe you better ask them some questions first. While I’m sure you’ve done your homework about agents and submitted to ones you already would feel relatively comfortable with, there’s only so much research you can do without actually talking to the agent him/herself. It’s also good to know if you two will be a good fit for each other.

All right. You’ve got them on the phone, they’re interested, so what do you ask?

Here are suggestions: (Pro tip: Don’t ask all of these. Find the ones you like or the ones you need and ask those. You don’t want to overwhelm them or yourself.)

About your project

  1. What does the agent like best about your project?
  2. Does the agent feel that the project is ready for submission to publishers, or will she require revisions before submission? Are they small tweaks, or does she want a major plot or character development change?
  3. Which publishing houses does the agent believe would be a good fit for your book?
  4. How many editors does she plan to pitch in the first round of submissions?
  5. Will the agent consult with you on all offers from publishers? Does the agent make any decisions on your behalf?
  6. Does the agent forward rejection letters to you?

Read the rest (there’s a lot more)…


Nicole Wilson spends her days planning for disasters and her nights writing about them. She lives in a small apartment with her husband and two cats, all who contribute to her writing endeavors. Nicole has written many books and short stories and is at work on more. Three of the short stories have been published online, which you can find on her website at www.nicolewilsonauthor.com.

Learnings from Comicpalooza

My wife and I went to Comicpalooza 2017 in Houston, Texas and it was a blast. She went to most of the writers panels and we both talked to many authors and artists. Here are some of the things she learned.


Comicpalooza is one of my favorite events all year long. A convention in the style of Comic-Con, Comicpalooza has something for everyone. Like Avengers? Star Wars? Steampunk? It’s got it all. Booths fill all of the George R. Brown Convention Center’s first floor with everything from photo opportunities (“Oh, a picture with Darth Vader? Don’t mind if I do.”) to t-shirt vendors. I definitely walked away with one custom-made t-shirt and the website for another t-shirt I wanted (Princess Leia telling a campfire story about Darth Vader to the other Disney princesses. You can find the shirt here.).

They also have artists and authors selling and promoting their work. And famous people! Several celebrities had signing booths, and, though I didn’t get their autograph (extra $$$), I did see Marina Sirtis (Star Trek: Next Generation’s Deanna Troi) and Summer Glau (Firefly’s River Tam). Stan Lee and George Takei also made appearances over the weekend.

One of the other great things about Comicpalooza is the panels. The third floor of GRB has dozens of small rooms where they host panels, workshops, presentations, and demonstrations. And the topics vary just as much as the general floor does on the first floor.

I attended several (at least fifteen) of these. This year, my husband and I bought four-day passes, which was great, because we were there almost all day all four days. Some of the panels I went to included an origami workshop, a sword demonstration by the choreographer of Kill Bill, and several NASA panels discussing the reality of science fiction.

I also sat through a bunch of writing panels. Here are some of the things I learned while I was there:

  • Writing Unforgettable Characters
    • Twist the plot to enhance your characters
    • Use sharp, hooky words to make your reader wonder why you used that specific word

Read the rest…


Nicole Wilson spends her days planning for disasters and her nights writing about them. She lives in a small apartment with her husband and two cats, all who contribute to her writing endeavors. Nicole has written many books and short stories and is at work on more. Three of the short stories have been published online, which you can find on her website at www.nicolewilsonauthor.com

Writers’ Groups

Writers groups, or critique circles, are pivotal in becoming a professional writer. Thriller writer Nicole Wilson shares her thoughts on the importance of these groups, what makes a good group, and how to get the most out of the experience.


One of the most important steps a writer can take to help their craft is to join a writers’ group. It’s literally a collection of people who are experiencing the same struggle you are, and it can be incredibly encouraging.

How They Work

A small group of people meet at a predefined location, usually a bookstore or someone’s house. Everyone is a writer, so it’s a safe zone to express your successes, frustrations, and everything in between. Also, each person is at a different stage in their writing. Some are already published, others are agenting, and others are working on their first manuscript. Normally, there’s a set page limit, so all of you bring, say, ten pages a week every Thursday night at 7 PM. Each person either reads their piece aloud or has it read aloud by someone else in the group. Then the group takes a few minutes (some are stricter and time it) to discuss any big-ticket items.

My Experiences

I’ve been lucky enough to be a part of two great writers’ groups in my writing career. A friend – who later became my husband – invited me to tag along to his group. The first time I went, I had no clue what to expect. We were meeting at a Barnes & Noble, and, when I walked in, there was this small table toward the back where eight or nine people were sitting. I found Michael and was immediately welcomed with open arms in the group. I made several friends that, three years later, I still keep in touch with. As for the structure, each person picked someone else to read their five pages. We went around the circle and gave short feedback. The author was not aloud to speak until the feedback was complete.

The second writers’ group I’ve loved (which I’m currently in now) is also amazing. We meet at one woman’s house and sit around her dining room table. Everyone reads their own ten pages out loud, then whoever has a comment speaks and the group discusses. The author is allowed to comment with the group. It’s a loving community of 8-13 people (depending on the week), and we share food and life as well.

Benefits

There are many benefits to joining a writers’ group.
1) Simply put, you have access to a support group. These people either know what it’s like to go through what you are now or they want to know, so they encourage sharing stories, both successes and failures.

Read the rest…


Nicole Wilson spends her days planning for disasters and her nights writing about them. She lives in a small apartment with her husband and two cats, all who contribute to her writing endeavors. Nicole has written many books and short stories and is at work on more. Three of the short stories have been published online, which you can find on her website at www.nicolewilsonauthor.com

(Writing for fiction) Research, Research, Research

As an author of technology thrillers, Nicole Wilson does a lot of research before she ever pens the first word. Here is a great article about her research process.


So there’s this funny thing called “research” that creeps up on unsuspecting writers. There are two sides to this: Some want to write without having to do any research (cough cough me). Others have to limit themselves on how much research they’re allowed to do or they’ll get carried away. Regardless of which side authors fall on, research is a necessity for most.

How much research is necessary is dictated by the book. It varies by genre, setting, situation, etc. But, for the most part, it’s important to get the facts straight. Readers pay attention, and it throws them when something is almost right, but there’s one thing off. It takes them out of the book. They’re no longer immersed in the story, which is the exact opposite of what writers want.

Writing in the thriller genre, I work in today’s world. Therefore, I need to know the basic layout and feel of cities (even if I do end up butchering it; then I can claim it was “for the book”). I need to get whatever the topic of my book is straight so I can figure out where to stick to real life and where to deviate. My books have a lot of technology in them, so I need to know how that technology works. For historical fiction, it may seem obvious that research is pivotal. Readers pick that book up partially so they can experience what 12th century villages were like. Fantasy may not seem so obvious. “They can make up their world so what do they have to research?” However, a lot of fantasy has basis in the real world, or some basis in our scientific principles (e.g. how physics works, gravity), so they need to research in order to create their own realistic imaginary world.

When to do the research is a matter of preference. Some authors do it before plotting, some do it before writing, some wait until they’re in the moment and need information. I (now) do mine early on, though I usually do some research throughout as I come across things I didn’t think of in planning.

Read the rest…


Nicole Wilson spends her days planning for disasters and her nights writing about them. She lives in a small apartment with her husband and two cats, all who contribute to her writing endeavors. Nicole has written many books and short stories and is at work on more. Three of the short stories have been published online, which you can find on her website at www.nicolewilsonauthor.com.

 

Query Letter Tips

I have been sending out query letters like a crazy person lately. Let me tell you, writing a novel is hard, but nothing compared to cramming a year of your life into a four-paragraph sales pitch. Nicole Wilson was a lifeline for me. She reviews the most important query letter tips.

In the process of getting Deception ready for agents, I’ve done quite a bit of research on query letters. As there’s no sense in keeping all this information floating around my head to myself, here are some tips I’ve learned along the way. (I’m leaving out some of the standard ones like include word count and genre because I’ve mentioned them in my annotated query example below):

  • DO customize your query for each agent. Put their name at the top (make sure it’s spelled correctly), and always include something that indicates you at least read their website (maybe a recent book they’ve represented, another author, etc.).
  • DO read their website for submission guidelines. Every agent has different guidelines. While this may seem like a hassle, they’re looking to see who is professional enough to research. They’re looking for business partners (as writing is a business). And they get an average of 100 query letters A DAY, so they need something to thin the pile.
  • DON’T expect feedback from them. Their job is not to provide you feedback. It’s to tell you if they are able to sell the book or not.
  • (This is my own personal advice) DON’T include words like “and then this happens” or “and another character enters” while telling your story. You want to engross your agent in your query letter. Make them feel like they’re reading a book and want to read more after they’ve finished your letter. Don’t remind them they’re at work, sifting through email. We all know how lame that feeling can be. :)
  • DON’T use a query blaster or CC/BCC a bunch of agents on the same email. This tacks onto my first “do.” You must customize for each agent. Also, several of them have said that nothing gets a query deleted unread faster than that (because they can tell).
  • DON’T try to be fancy or gimmicky. Like I said before, they’re looking for professionals, and your query letter is a business letter. This is not the time for pink or scented paper or gifts that represent the book. Send them what they want and nothing more.

Read the rest (there’s a lot more)…


 

Nicole Wilson spends her days planning for disasters and her nights writing about them. She lives in a small apartment with her husband and two cats, all who contribute to her writing endeavors. Nicole has written many books and short stories and is at work on more. Three of the short stories have been published online, which you can find on her website at www.nicolewilsonauthor.com.


 

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