This mini-series looks at how we integrate elements of stories into our personal identities, literally letting stories transform who we are. We look at the storyworlds that grow up around stories, narrative identity, and create a basic framework to analyze further.

If the goal of this blog is to explore research into transformational storytelling, then we must look a more than just the stories themselves. Human beings are social, and we interact with stories in social ways. We also incorporate elements of stories into our own identities. This mini-series introduces these ideas and lays out a bare-bones method for analyzing the social context by which we engage with stories and integrate bits of them into our identity.

I propose an analytic framework that lets us look at how people integrate pieces of stories and storyworlds into their personal identities. This is an important step if we want to understand why this works and how we can create transformational stories.

Let’s move past the scholar-speak and make it really simple for a moment.

A person (the actor) loves a story (any story). They take bits of that story (narrative resources) like a character’s trait, a turn of phrase, or a fashion choice and integrates the bits into their own performance (they use the phrase in everyday life). Someone else (the audience) see the actor performing this, connects it to the story and understands what the actor is trying to convey.

The research is pulled from my Master’s Thesis in Cultural Anthropology where I did an ethnographic study with a group of anime fans, but don’t get bogged down in the anime of it. A football game is a story. A band has a story. Televisions shows. All these things develop storyworlds through which we shape our personal identities and interact with others.

Series Contents

  1. Storyworlds
  2. Triad of Narrative Identity
  3. An Ethnographic Example
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Chris Michaels

Storyteller. Researcher. Coder. Innovator. I seek to push the boundaries of storytelling and education.
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